Join Us at the BAVC Producers Institute for New Media Technologies Public Conference Day!
Those of you who are familiar with the Bay Area Video Coalition (BAVC) know that BAVC inspires social change by enabling the sharing of diverse stories through art, education and technology. One of the many ways BAVC helps filmmakers explore their ideas through new medium is the Producers Institute for New Media Technologies, which will bring six selected documentary teams to develop interactive web, mobile, multimedia, and game projects. We're proud to announce that BAVC has partnered with the Tribeca Film Institute (TFI) and Hunter College Integrated Media Arts Program to host the first East Coast version of this exciting event in New York City this January 2011.
The six projects selected for the 2011 New York Institute include stories from NYC-based producers on a wide range of topics including HIV/AIDS, the global housing crisis, disability rights and access, environmental crisis management, racial equity in education and LGBT rights in communities of faith. Platforms being developed include games, interactive maps, augmented reality & locative media tools, mobile applications, interactive story archives, and more. Three of the six projects were previously supported through TFI’s Tribeca All Access program.
On Saturday, January 8, 2011, there will be a public Conference Day held at Tribeca Cinemas featuring panel discussions and presentations on emerging tools and platforms that are changing the face of filmmaking and empowering social change movements around the world:
BAVC Producers Institute for New Media Technologies Public Conference Day
January 8, 2011
9:30AM – 5PM, cocktail reception following
54 Varick Street
New York, NY 10013
(at Laight Street, one block below Canal Street)
See the complete schedule online or in PDF.
Buy tickets now
January 8, 2011
54 Varick Street
New York, NY 10013
(at Laight Street, one block below Canal Street)
Coffee & Muffins
10AM – 12PM
Plenary Panel “Can You Handle The Truth? Ethics and Trends in Documentary Innovation
The field of documentary has exploded in recent years, taking the nonfiction feature film into new and uncharted territories. Games, virtual worlds, web and mobisodes, augmented and alternate reality, fiction hybrids, collaborative, micro and subjective storytelling, video blogs, immersive journalism, interactive mapping, data visualization -- this multiplicity of tools, styles, platforms, and points-of-view have stretched the boundaries of what we know, feel and understand about traditional nonfiction film form. In this non-panel discussion, participants will each present a project that blew their minds in the last year - their own or someone else's - and we'll talk about the changing nature of documentary storytelling, the impact of collaborative and visual technologies, the value of traditionalism, and the ethics of digital manipulation of cultural data. How will the next generation of documentary filmmakers handle the truth?
Moderated by Wendy Levy, Director of Creative Programming, BAVC
12 – 1PM
1 – 5PM
Technology QuickFire: New Tools
These fifteen-minute, PopTech-style presentations will provide an extraordinary overview of emerging interactive technologies that have implications for today’s storytellers. Five minutes for one-sentence questions at the end of each presentation, followed by leisurely cocktail-infused networking with presenters.
Subject To Change:
- 1:10 – 1:30 Data Mining and Mapping: Eric Doversberger
- 1:30 – 1:50 Open Video: Ben Moskowitz
- 1:50 – 2:10 Collaborative Editing: Nonny de la Pena
- 2:10 – 2:30 Social Media: Baratunde
- 2:30 – 2:50 Immersive Production: Peter Sung & Danfung Dennis
- 2:50 – 3:10 Break
- 3:10 – 3:30 Gaming: Tony Walsh
- 3:30 – 3:50 Interactive Cinema: Kat Cizek
- 3:50 – 4:10 Mobile Tools: Mark Belinsky
- 4:10 – 4:30 Augmented Reality: Anselm Hook
- 4:30 – 4:50 Virtual Worlds: Rik Panganiban
- 4:50 – 5:00 Wrap-Up
5 – 7PM
Cocktails and Appetizers at Tribeca Cinemas
About BAVC Producers Institute for New Media Technologies
Over the last five years, documentary production teams from around the world have spent ten days at BAVC working with technologists, game and web designers, social media strategists, computer programmers, and interactive media artists, to develop new models of participatory storytelling and civic engagement. Projects from the Producers Institute have been presented at the United Nations, Sundance Film Festival, Skoll World Forum, and numerous global venues. Videos about the work of the Institute can be seen at http://bavc.org/producersinstitute
Mentors from leading technology and design companies, including Apple, Adobe, Google, The Project Factory, Tomorrow Partners, MCommons, Free Range, Pentagram, Mobile Active, Phantom Compass, Thinkwrap, Flax Media, and others, work with teams to design and develop project prototypes, which are then presented at the close of the Institute to potential funders and partners. Each project is also paired with a nonprofit organization or global NGO that works in tandem on project development and sustainability in a collaborative effort to maximize the social impact of the work.
25 to LIFE
By Mike Brown
William Brawner was infected with HIV before he turned two and kept it a secret for over twenty years. Now he struggles to confront his promiscuous past and embarks on a new phase of life with his pregnant wife, who is HIV Negative. 25 to Life is a startling and critical look at HIV and AIDS in America, through the intimate perspective of a family and community that has been affected by one man’s diagnosis. At the Producers Institute, in collaboration with the Black AIDS Institute, the 25 to Life team will create a searchable mobile web story gallery, powered by collaborative browser-based editing, along with an interactive Q&A forum for HIV-impacted youth. Both tools will riff off the transformative power of sharing secrets to help seed a new generation of outspoken young people reclaiming a healthy future.
An American Promise
By Michele Stephenson and Joe Beyer
In 1999, filmmakers and parents Joe Brewster and Michele Stephenson decided to turn the camera on themselves and their family to document the twelve year journey they take as their effort to provide the best education possible for their African American son, Idris. He along with his friend, Seun, start kindergarten together at a prestigious independent prep school in New York City. Their parents had high hopes for what this school would mean for Idris and Seun's future, but also a keen sense of what they might be missing in a predominantly white environment. As the years unfold, we catch a rare glimpse into the complex universal issues that challenge African American boys from their earliest experiences in school, set against the backdrop of the nationwide racial achievement gap in education, when more than 50% of African American males do not graduate high school. At the Institute, in partnership with the Congressional Black Caucus Foundation, the American Promise team will develop a networked web Initiative that includes mobile persuasion technology and an Achievement Mapping Mobile Tool designed to empower parents of any at-risk student, regardless of race.
By Judith Helfand
Cooked, a feature documentary film and engagement campaign, uses the 1995 Chicago heat wave to explore the politics of disaster. In her signature serious-yet-quirky style, Peabody award-winning filmmaker Judith Helfand takes the story from Chicago, 1995, when 739 people died in a single week, most of them poor, elderly and/or African American -- to the present and into the new world of disaster preparedness, a new growth industry. The film asks big questions and imagines best-case scenarios, the kind every U.S. city should be asking and striving for. What if poverty were treated as an emergency? At the Institute, Judith and her team will utilize the Ushahidi API and Google Earth to design and build a new kind of crisis map, one that integrates interactive video stories and demographics from neighborhoods in transition and provides data-based tools for growth and resilience. Based in the South Side Chicago community that lost a disproportionate number of residents during the heat wave, the map’s hyper-local interface will be customizable for any neighborhood in any city across the country.
By Christopher Nizza and Dara Kell
When the South African government tries to ‘eradicate the slums’ by evicting thousands of shack dwellers from their homes, three young friends who live in Durban’s vast shantytowns refuse to be moved. Dear Mandela follows them from their shacks to the highest court in the land as they invoke Nelson Mandela’s example and become leaders in an inspiring social movement. In a world where over 1 billion largely forgotten people live in slums, Dear Mandela is a window into the untold stories of shack dwellers and provides new perspectives on resisting eviction and reclaiming dignity. At the Producers Institute, the team will partner with the Poverty Initiative to build a web-based, video-enabled docu-game for housing activism. On a platform designed in HTML5 for web, iPad and Android, players will experience forced eviction and shack demolitions based on real life current stories. As they rebuild their virtual community and navigate a video-rich environment that simulates life in a shantytown, they have the opportunity to engage with on-the-ground movements both in South Africa and in their area who are working against evictions and foreclosures and towards the Right to Housing.
The Truth Will Set You Free
By Macky Alston and Sandy Itkoff
The Truth Will Set You Free focuses on Bishop Gene Robinson and a host of others whose lives hang in the balance of the church/state battles for LGBT equality. Gene is the first openly gay partnered person to be consecrated a bishop in the three largest high church traditions of Christendom (Catholic, Eastern Orthodox, and Anglican). His historic elevation by the Episcopal Church in America in June 2003 has caused controversy within the worldwide Anglican Communion and a constant stream of death threats to Bishop Robinson and his family. It has also changed the global landscape of religion and public life and the change continues daily. At the Institute, the team will be designing a mobile web video “help desk” for coming out in communities of faith. The platform will offer tools and stories to help young people and others speak to their families and congregations about being LGBT. Integrating the YouTube Direct API and instant messaging, any one looking for support or strategies to start conversations about being LGBT will be able to access services and real-time support
When I Walk
By Jason da Silva
When I Walk is a point-of-view feature-length documentary about how Jason’s world changed after he was diagnosed with Multiple Sclerosis in 2005. The film paints a picture of what it is like to live with MS – from the symptoms, day-to-day challenges and available support systems -- to the challenging, complicated personal experiences faced by the filmmaker living with a disabling chronic illness while pursuing a creative career and a busy, full life as a working artist. At the Institute, the team will build a prototype for AXS, a voice and video-enabled mobile mapping tool of all accessible businesses in New York City, utilizing the Yelp API and the partnership of the National MS Society. This team intends to seriously change the face of accessibility, and create a story-activated tool for next gen mobility.